Wednesday, July 21, 2010

Greater Bolivian Celebrations 2010 in Dallas


Greater Bolivian Celebrations 2010  in Dallas



By Graciela J. Ayllon & Marco A. Ayllon Bueno
Nautilus Dallas City Events News
July 21, 2010

The Ceremony:


Ms. Darlene C. Gutiérrez “Greater Pasante” will organize a Mass of Honor and Honor Social Gathering Celebrating Bolivian Copacabana Virgin in the Metroplex.
Copacabana Virgin will wear military garments for the event:

Commemorating Bolivian Independence from the Spaniards which was on August 6 of 1825; the Bolivian society in North Texas, devotee, ex- and future Greater Pasantes, celebrate and thank every year to the Virgin of Copacabana with a Rosary Novena, Honor Mass, and a Formal Social Gathering. This event is called “Greater Preste;” this year will act as Greater Pasante and Organizer Ms. Darlene Cinthia Gutiérrez and her two loved daughters Katrina and Melissa.

Ms. Darlene C. Gutiérrez is the Greater Pasante for 2010. She is a member of the Bolivian community in Dallas TX, she is well-known active resident by more than 20 years. She resides in Rowlett. In 2009 she was a president of The Bolivian Ladies of the Metroplex. Darlene worked for many years in the area of semiconductor production manufacturers and circuit boards. At the moment she is a business owner. She is a splendid mom and involved with the disadvantaged in Dallas.

Another important aspect about these celebrations Darlene mentioned us that this year will participate to her devotee a Protocol of Change of Dress to the Virgin. For this event, the Virgin will be dressed in a dress of green olive and golden color accessories, with an elegant Bolivian armed forces theme with her veil of silk. It will have gold and silk thread embroidering.

The Event:

The Saint Mass will be at 2:00 p.m. on Saturday August 7, 2010 in the S.J. Mark Catholic Church located at: 1201 Alma Dr. Plano, TX 75075. There, an unusual catholic activity will be lived. With solemnity and respect, the devotee will approach the image to polish it and to dress it in their new suit ordered specially by the Greater Pasante. Passed the religious act their guests will enjoy the Honor Celebration in the halls of Holiday Inn Express Hotel located at: 700 Central East Pkwy. Plano, 75074.

This annual event is one of most important in the festivities for the Copacabana Virgin in Dallas and traditionally the devotee read a previous Rosary Novena by 9 weeks and 9 Fridays. Each Friday a rosary needs to be finished and later they share ideas, enjoy pies, traditional Bolivian dishes and their ecstasy. Darlene assured to us that the Copacabana Virgin is very miraculous, and the event is denominated “the Bolivians Celebration in Dallas.”

Darlene C. Gutiérrez, is the Greater Pasante 2010 at these Bolivian festivities. She told Nautilus Dallas City Events News that she felt moved venerating the Virgin image. She said: “the Change of Clothes Ceremony will give a different sensation for the Virgin celebrations. Where we began adorning by body spraying the Virgin with aromatic perfumes, they will put some creams to her and later they will proceed to dress her with care.” She also stated that: “this work is essentially an act of a good deal of faith that is made in family.”

Clothing Details:

The author of the stylish “The Virgin of the Lake” dress informed to Nautilus News that worked her garments with the best quality materials. He said that this year they used threads brought from Bolivia, by which the suit is quite fine and with many details.

“In Bolivia the Copacabana Virgin is the police guardian. “And I would like to give that stylish defense forces look”, said Darlene. As it is tradition for these events, the color of the Virgin outfit depends on the Greater Pasante. “This year we have chosen the Green one, that is resembled Olives, and it is elaborated in velvet fabric”. According to the data of the Virgin of Copacabana in Dallas, she has more than 10 suits donated.

Preste Celebration Details:

Darlene C. Gutierrez assured that the organization for the Mass and Celebration in her Honor of the Virgin is already coordinated: “As much for the Mass and as for the Hotel Reception Darlene it carried out an arduous work of more of a year of preparation.” She said: “I feel thanked for to the Virgin and the community of Dallas.” Darlene assured: “we contracted two famous orchestras in the Metroplex that will alternate in their presentations, in addition a well-known DJ will participate among them; we hope to have a successfully celebrations”.

Presentation of Bolivian Typical Dances:

To increase awareness about traditional Bolivian dances, for the Gala Social Gathering and delight for the media and guests there will be a presentation of Bolivian Typical Dances such as: Cueca, Saya, and Chacarera.

About the Menu:

The guests will be delighted with traditional a Vinesh Salteña Hour, followed by its three Main Course Dinner Prepared by Mr. Cesar Orellana by `Orellanas Catering.' “My Cocina Restaurant” will prepare its signature Dilemmas, Mambo Limousine cocktails. Each table will have a floral decoration in addition to a whisky Johnnie Walker Black Label, a Singani Rugero, and a tequila Patron.

Celebrations of the Virgin in Dallas:

The celebration is annual and in the month of August for the Copacabana Virgin in Dallas, it began in 1985 with the family of Mr. Marcelo Morales Guzman who brought the custom and a Virgin from Bolivia. Up to date already celebrated as Greater Pasantes more than 10 Families in Dallas. This celebration is united to those of the Bolivian Society Association in Dallas TX having commemorating the celebration of Bolivia independence.

Origin of the Virgin of Copacabana in Bolivia:

The peninsula of Copacabana is located by Titicaca lake, approaching the islands of the Sun and the Moon, old sacred places of the Incas. There, more than four thousand eight meters above the level of the sea. In this area the Mother of God wanted to approach her children thus to attract them the true God. It made with the greater gentleness and respect. It did it with the love of Mother whom it looks for its smaller children. Its face has indigenous characteristics and is tender love with its Boy in arms, who seems to fall but not. The Mother maintains her child safe. The Boy is the great gift that the mother flatters. Thus the cult to the “Virgin Santísima from the Candlelarias, Our Mrs. of Copacabana" arises.

It is a sculpture of little more than four feet modeled entirely of maguey wood and finished in stucco. The body of the image totally is laminated in fine gold. Her clothes are colorful adorning a princess reproduced by the Inca. Its original form permanently remains covered by beautiful mantles and suits. Her hair is long up to her shoulders.

Tito Yupanqui was the carver and artist thought by Franciscans, descendant of Inca Huayna Capac. He was a clumsy sculptor and although it put much persistence in his work, he was a persistent learner. His first attempts were rejected one after another one, until finally God compensated to him with being able to obtain this image of the Virgin who humbly was enthroned in one poor church of blocks and stones the February 2 of 1583, which does of this Mariano sanctuary one of Américas oldest churches.

1805 the image and the present temple data was crowned during the Pío XI pontificado. With the passage of time the people donated, for adornment of the image, great amount of valuable jewels and the temple filled up of gifts and treasures. Wealth that later was sacked by generals, presidents and dictators of turn. In spite of it, “Coyeta”, as they call Quechuas and the Aymaras. The virgin wears from her neck, in the hands and her chest, rich jewels and from her ears hang valuable precious stone pendants donated by their devotee ones. In her right hand she holds a small basket and a command baton, gift and memory of the visit that in 1669 did the Peruvian Virrey.

The original image never leaves its sanctuary and for the processions a copy of the same one is used.

He is typical of the sanctuary, basilica from 1949, which those that visits it leave the temple walking backwards, with the intention of not giving the back to its dear Copacabana Virgin.

Virgin celebration originally was celebrated the February 2, day of the Purification of Maria, and soon it has been transferred to August 5, with her own liturgy and great popular celebration.

Thursday, June 10, 2010

Shakira and World Cup Song Sparks Controversy in South Africa


Shakira and World Cup Song Sparks Controversy in South Africa


International Latin super star Shakira sings South African official World Cup song


Nautilus Entertainment News
June, 10 2010
By Graciela J. Ayllon

International Latin super star Shakira has set off a controversy in South Africa over the official World Cup song. Many have expressed disappointment that a non-South African artist was chosen to record the song, though others do not seem to mind.

The new song is called "Waka Waka; ('Waca Waca,Waka Waka or Waca Tokory' is an ancient bolivian traditional dance involving "lecheras," farmers and Cows. See below video.) Waka Waka " means "This Time for Africa" It was unveiled on radio stations a few days ago and immediately produced mixed feelings in South Africa, the host country for this year's World Cup. It is supposed to be the official song for the 2010 event, but according to talk radio host (Talk Radio 702) Jenny Crwys-Williams, many have called in to voice their disappointment.

Original WacaWaca or Waka Tokory traditional Bolivian ancent Aymara dance:




"I love it that South Africans are just coming together as South Africans and saying 'Damn it, we've got our own people and it's an African World Cup, it's ours, it belongs to us' so why don't we use some of the magnificent talent that we've actually got? That's my reading of the calls we got," Crwys-Williams explained.

On the streets of Johannesburg, reactions have been mixed. Some strongly disapprove.

"It sucks. 'Waka Waka?' Shakira must not even come through and sing that song. I am serious. She must not. It sucks," said Lindi Munonde.

Nomaswazi Thomo agrees. "Yeah, it has to be South African," she said. "I mean, we've got so many talented South African singers who can actually pull it off. And really, I mean, how is Shakira going to sing the African part of it?"

Others say the World Cup is not just about South Africa, it's about South Africa hosting it and bringing it to the world.

Sechaba Sebusho states, "I don't have a problem with it being sung by a non-South African in the sense that it might be an African World Cup or a South African World Cup, but it is for everyone to enjoy."

Olebogeng Ntsime agrees, "For the fact that it has Freshlyground [band], they are people who originate from South Africa. I think it's ok. Whether it's Shakira or Beyonce, I think it's OK."

Heidi Botes says, "I think what's great about the fact that there are a lot of artists, it unites the world. The soccer World Cup is not just about South Africa, it's about South Africa hosting it and bringing the world."

The song is a collaboration between Shakira and the South African band Freshlyground. It is scheduled to be performed at the World Cup kickoff concert in Soweto on June 10.



Saturday, February 6, 2010

"Daydreams Come True" in Dallas


By: Graciela Ayllon
Famous Dallas City Entertainment News
February 6, 2010

David Cassidy, Davy Jones
Date/Time:Sat., February 6
Price: $49.75-$69.75


Latchkey kids from the 1980s grew up with a very peculiar set of heroes and companions. I spent most of my after-school hours with a disparate group of Monkees, CHiPs officers, Partridges, Bradys and crinkly-nosed witches thanks to Nick at Nite's and TBS' endless reruns. While many of my peers were all about the exploits of Crockett and Tubbs, I was crushing on Michael Nesmith and Erik Estrada. I don't think it's any wonder at all that I grew up to work with cops and exclusively date musicians. There was a certain level of escapism that came with flipping on those shows after dealing with the trials and tribulations of junior high all day. And the musical ones, The Monkees and The Partridge Family, were the best combination of comedy, camp and dreamy boys. Davy Jones could narrow his eyes, shake his hair out of his eyes and launch into "Daydream Believer," and I was totally content. And while David Cassidy's Keith Partridge was a little whiny for my taste, I still couldn't resist "I Think I Love You." I know I wasn't alone, and that David and Davy still hold a place in the hearts of many Nick at Nite junkies who will be there to see them at NOKIA Theatre, 1001 Performance Place, when they roll through town Saturday at 8 p.m. Tickets are $49.75 to $69.75 and may be purchased at ticketmaster.com.

Tuesday, October 13, 2009

Dallas Greeted Magnificent U2


Famous Dallas City Entertainment News
By: Graciela Ayllon
October 13, 2009

On Monday October 12, 2009 U2 performed an unforgettable night show in Dallas city at the new Cowboys Stadium; certainly it would serve as enough sound-blaster and the best performance evidence. More than 80,000 people witnessed the Dallas city stop of the Irish group's "360 Degrees Tour." The floor, which was standing-room-only and surrounded the mammoth stage, was an immense sea of fans.


It was incredible:”we saw a big platform contraption.” It was like a spaceship merged with a huge spider, its four claw-like structures flanking a circular riser and an outer ring. The two were connected by movable bridges. Above the band was a spectacular rotating video screen that extended into a funnel-like cloud constantly lit for maximum effect.

And of course, there's Bono, Larry Mullen Jr., Adam Clayton and The Edge. These guys couldn't be more comfortable before a humongous mass, or underneath such high-tech gadgetry. For about two hours the U2 members sang and played with passionate precision. They backed up the spectacle with plenty of their best hits.

Bono was a messiah figure when he performed. Dressed in black and prone to raising his arms and tilting his head back, as if basking in the presence of his disciples, he wasted no time in preaching peace, asking for a "non-violent revolution" and turning "Walk On," the final number before the encore, into a thought-provoking tribute to Burma's Aung San Suu Kyi.

For sheer U2 explosiveness, we got "Vertigo," "Get On Your Boots," "Elevation" and "Beautiful Day." If you wanted a good groove, they delivered with "Mysterious Ways" and "I'll Go Crazy If I Don't Go Crazy Tonight." The tunes from No Line On the Horizon, the quartet's newest disc, blended perfectly with older material.

One more song deserves mention: "Sunday Bloody Sunday," an anthem that prompts fist pumping. It's just as inspiring a song now, with all the violent political unrest in the world, as it was back in 1983 when it was originally released.

Mullen's militaristic drum work filled the stadium with crisp, measured marching beats. Which brings us to the sound at the venue, a constant source of argument among fans. It was an excellent live show performance at Arlington neighbor and we want them to come back to Dallas again.

Check out “Magnificent” from Dallas below.

Tuesday, March 31, 2009

Eli Young Band Performed at the House of Blues




By: Graciela J. Ayllon
Nautilus Famous Dallas City Entertainment News
March 31, 2009


The Eli Young Band played the House of Blues Friday night, March 27, “they played fantastic, and we enjoyed to the last song” stated Lara Sodano from Mesquite. They played their new and contemporary rhythms, with openers Trailer Choir.

A Glance at Where the Feds Used to Stock up the Gold, Profound Beneath Dallas

By: Marco A. Ayllon
Nautilus Famous Dallas City Entertainment News
March 31, 2009

Ever wondered what the abandoned vault beneath the old Federal Reserve Bank on 400 S. Akard Street looked like? Swell. Because HTML pioneer and blog-advice guru John Pozadzides took some folks from GeekBrief.tv on a tour, and, in return, they offer this video worth a look-see.



GeekBrief.TV #486 from Cali Lewis on Vimeo.

Last Night at SMU, Andrés Duany Took the Wrecking Ball to "The North Dallas Special"


Mayor Tom Leppert's introduction of renowned urban planner and architect Andrés Duany last night at the Hughes-Trigg Student Center Ballroom on the SMU campus was less a please-welcome than a separate speech altogether. Full of pragmatic optimism and pride, and clad in his trademark pinstripes, the mayor insisted, "Not only is Dallas a player on the environmental front, but we're [in] a leadership position, and I can say that because of policies that have been put in place by the city of Dallas." Leppert went on to describe those policies, from Dallas's green building ordinance to its "very aggressive" recycling program, before, yet again, instructing the full house how to vote on May 9.

But after climbing down form his soapbox, the mayor handed over the stage to Duany, co-founder of the Congress for the New Urbanism and principal of Duany Plater-Zyberk & Company, which has gained international recognition for its urban planning work. "New Urbanism" is a multifaceted and, till recently, a somewhat obscure concept, but Duany outlined its basic points in a few words: diversity, connectivity and compactness, the last of which could describe Duany himself.

Small and energetic, what he lacked in physical stature he made up for in style and wit. Within two minutes, he had the audience laughing; within three, he was raining down fire and brimstone on one of the great barriers to the walkable, livable city -- suburban sprawl, exemplified by what Duany calls "the North Dallas special," by which he means the over-sized, treeless mansion of isolation that's cheap to build and far from the city center.

Cul-de-sacs of postwar McMansions, Duany said, are emblematic of the single-use suburbia in which residents must work in one place, shop in another and live in yet another -- and use cars and highways to shuffle between them. Such a model, he says, encourages "social segregation," in which uniformly priced subdivisions separated by walls, gates and automobiles preclude the kind of diversity that makes such cities as New York and Paris edgy and alive.

"We need diversity, and diversity is mixed-use," Duany said. "We need places that within walking distance you can shop, you can live, you can go to school, and you can work. Very little can occur, in terms of the foundation of a community, unless you can walk to things."

Duany has several development projects underway, from Houston and Galveston to North Richland Hills and the Legacy Town Center in North Dallas, so he's heard the old argument about walking: It's too hot to walk in Dallas.

"People walk in hotter places and in colder places [than Dallas]," Duany argued. "There are more walkable streets in four cities in Canada than the entire United States," he added, eliciting a chorus of sheepish laughs from the audience. "It's not the climate, it's the [city's] physical design."

But walkability doesn't come on its own, and it doesn't come just from "creating density," or smooshing buildings together until a city block is full. Rather, Duany insists, crafting a diverse and thriving city needs precise planning and conscious efforts to design incentives, like street life and a "sense of place," that will create real urbanism -- livability -- from density. The more sprawl ensconces people in cocoons of self-sufficiency and car-driving, the more it eliminates their interaction with others and with their environment.

According to Duany, what Dallas lacks "time and time and time again is sense of place. You have a pretty low quality of life, given your wealth."

That's a bitter pill, but the audience took it well.

Duany has the ability to be at once scathing and encouraging, hilarious and morbid. He calls the country's three-tiered crisis -- rising oil prices, a caving economy and global climate change -- "incredibly exciting," because there's just enough desperation to make people open to change. And so it should go with Dallas, in Duany's view.

"When you look upon your Dallas, your model is the neighborhood," Duany explains, illustrating his point with slides of quaint, tree-lined prewar American towns. "That's the human habitat. Nothing in your codes allows that."

So, then, what are we to do?

"Comb through your codes," Duany said. "Better yet, throw them out. They have suburban sprawl in mind. Incentivize the [new] code and let the old code wither. It'll be an historical and hilarious artifact."